音乐声学与心理声学(第3版) 253


分类:相关阅读 / 「音乐声学与心理声学(第3版)」

音乐声学与心理声学(第3版) 253
前一篇:音乐声学与心理声学(第3版) 252 下一篇:音乐声学与心理声学(第3版) 254
文本阅读:
  238音乐声学与心理声学(第三版)
  Demonstrations.(Philips compact disc No.1126-061 and text.)New York:Acoustical Society of America.
  Howard,D.M,Hirson,A,Brookes,T,and Tyrrell,A.M.(1995).Spectrography of disputed speech samples by peripheral human hearing modeling.Forensic Linguistics,2,(1),28-38.
  Howard,D.M.and Tyrrell,A.M.(1997).Psychoacoustically informed spectrography and timbre.Organised Sound,2,(2),65-76.Hearing timbre and deceiving the ear.
  Howard,D.M.(2005).Human hearing modelling real-time spectrography for visual feedback in singing training.Folia Phoniatrica et Logopaedica,57,(5-6),
  328-341.
  Maes,J.(1996).The Minidisk.Oxford:Focal Press.
  Moore,B.CJ.(1996).Masking and the human auditory system,in Collected Papers on Digital Audio Bit-rate Reduction(N.Gilchrist and C.Grewin,eds).The Audio Engineering Society,9-22.
  Padgham,C.A.(1986).The Well-tempered Organ.Oxford:Positif Press.
  Pierce,J.R.(1992).The Science of Musical Sound.Scientific American Books
  (2nd edn).New York:W.H.Freeman and Company.
  Pollard,H.F.and Jansson,E.V.(1982).A tristimulus method for the specification of musical timbre.Acustica,51,162-171.
  Rasch,R.A.and Plomp,R.(1982).The perception of musical tones,in The Psychology of Music(D.Deutsch,ed.).London:Academic Press.
  Roederer,J.G.(1975).Introduction to the Physics and Psychophysics of Music.New York:Springer-Verlag.
  Rumsey,F.(1996).The Audio Workstation Handbook.Oxford:Focal Press.
  Scholes,P.A.(1970).The Oxford Companion to Music.London:Oxford University Press.
  Shepherd,R.N.(1964).Circularity in pitch judgement.Journal of the Acoustical Society of America,36,2346-2353.
  Sumner,W.L.(1975).The Organ.London:MacDonald and Company.
  Sundberg,J.(1991).The Science of Musical Sounds.San Diego:Academic